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One street corner, photographed in every sky it has.

This is the scene that makes the argument for capturing in an engine rather than filming: the corner below is one place, and the frames on this page are morning, dusk, night and fog over it. Nothing was re-dressed and nothing was re-lit by hand between them.

Camera
Five street zones, from head height to above the rooftops, 1280×960
Frames in the run
300
Labelled instances
4,719
Classes
4
Validator grade
B · 87.3/100
Parisian street: a clear morning over the corner terrace, with the tower behind the rooftops and hard shadows across the street
Parisian street: a clear morning over the corner terrace, with the tower behind the rooftops and hard shadows across the streetCaptured with Unreal Engine 5.8

What this scene is hard for

The reason it is one of the nine, rather than a prettier map that would have proved less.

  • Time of day and weather over unchanged geometry, which is the one comparison real footage cannot give you: the same street, the same props, four skies.
  • Vertical occlusion. People and vehicles disappear behind buildings, awnings and each other rather than behind a convenient foreground object.
  • Low light. Several frames here are darker than anything a daytime capture produces, and a label is only worth having if it survives them.
  • Dense kerbside parking, where cars are adjacent, partly hidden and near-identical.

Frames from the run

Chosen by eye out of the frames published for this capture, with what each one shows. They are the run's own contact-sheet images at the size the site publishes them, not stills re-exported for this page.

  • Midday over the corner: the terrace awnings out, cars along both kerbs and the crossing in full sun
    Midday over the corner: the terrace awnings out, cars along both kerbs and the crossing in full sun
  • The same corner at night, lit by the awnings and the street lamps, with the pavement reading almost black
    The same corner at night, lit by the awnings and the street lamps, with the pavement reading almost black
  • Fog heavy enough to take the far side of the street out of the picture altogether
    Fog heavy enough to take the far side of the street out of the picture altogether
  • Dusk, the lamps already on and the contrast gone out of the square
    Dusk, the lamps already on and the contrast gone out of the square
  • Low autumn sun across the roofs, with the hardest shadows the scene produces
    Low autumn sun across the roofs, with the hardest shadows the scene produces
  • Above the roofline at twilight, where the street is a slot between two blocks
    Above the roofline at twilight, where the street is a slot between two blocks

Where this map came from

We did not model it. It is a third-party Unreal environment, dressed with a capture contract, and what NameFrame produced is the frames and the labels — no map and no .uasset is redistributed in any archive on this site. No author is named here because we have no agreement with one; if this scene is yours and you would like it credited, write to hello@getnameframe.com.

The data itself is on the capture’s page

This page is about the place. The archives, the validator’s findings, the class list, the checksums and what is wrong with the run are on the Parisian street capture, which is the one page on this site that means this dataset.